Powerful Actor, Superfine Painter - Iftekhar

Sayyadana Iftekhar Ahmed Shareef, a superfine actor who is known to us as Iftekhar. This name reminds us of a police officer often seen on the silver screen. But perhaps the film buffs are not aware that the same Iftekhar was not only a wonderful singer and painter but he also played the main lead in a couple of movies initially. Recently we met Iftekhar Saheb’s daughter Salma who spoke about her father to us in detail. 

Originally from Jalandhar, Iftekhar’s father was in a top position in some company in Kanpur. Eldest among four brothers and one sister, Iftekhar was born on 26 February 1922 in Jalandhar and his childhood was spent in Kanpur. After completing his matriculation, he did a diploma course in painting from Lucknow College of Arts. He had a passion for singing and was so impressed with K L Saigal that he dreamt to become a singer of Saigal’s stature. Since all the big music companies of that time were based in Kolkata, Iftekhar came down to the city at the age of 20.
 

In those days, renowned composer Kamal Dasgupta was serving for HMV (Kolkata). He had already composed for Kolkata based M. P. Production’s 1942 release Jawaab. The song is sung by Kanan Devi toofan mail, duniya ye duniya toofan mail of that movie continues to be famous even today. Iftekhar passed the audition test taken for HMV by Kamal Dasgupta. The company released a private album with two songs sung by Iftekhar, who, then returned to Kanpur. A few days later, he received a telegram from M. P. Production in which he was called immediately to Kolkata. In fact, Kamal Dasgupta was so impressed with Iftekhar’s elite personality and sophisticated language that he recommended his name to M. P. Production and asked the banner to give Iftekhar the job of an actor.    
 

While in Kanpur, Iftekhar had been engaged with a girl named Sayeeda. When called by M. P. Production he reached Kolkata and joined the company. But no film of Iftekhar’s could take off for long under the banner of M. P. Production. During those days in Kolkata, he fell in love with Hannah Joseph, a Jewish girl living in his building. He severed ties with Sayeeda and married Hannah. After marriage, Hannah Joseph was rechristened as Rehana Ahmed. 

Iftekhar’s debut film was 1944 release Takraar  which was made under the banner of Art Films-Kolkata. The heroine of this film was that time star actress Jamuna. In the year 1945, there released two of Iftekhar’s movies titled Ghar and Rajlaxmi respectively with Jamuna and Kanan Devi in the main lead. Rajlaxmi, which was made under the banner of M. P. Production was also the debut movie of Talat Mahmood as a singer as well as an actor.  Iftekhar was then seen in the movies Aisa Kyon (1947) and Tum Aur Mai (1947). Meanwhile, his elder daughter Salma was born in the year 1946 and the younger one in 1947 was named Sayeeda.  
 

Many of Iftekhar’s close relations including his parents and siblings migrated to Pakistan. Iftekhar preferred to stay in India, though due to riots he was forced to leave Kolkata. He, along with his wife and daughters came down to Mumbai in the year 1948 and stayed in Hotel Evergreen at Khar. Once again the life had come to zero and the struggle started again but it was not easy to find the work. Salma ji says, “We, the sisters, were still toddlers, and often there was nothing to eat at home. Ultimately my mom had to work as a secretary to one Mr. Patanwala to fulfill the basic household needs. Whereas, daddy continued with whatever small or big work he got but our financial conditions did not change much.”
 

While in Kolkata, Iftekhar was once introduced to Ashok Kumar by Kanan Devi.  After reaching Mumbai, Iftekhar met Ashok Kumar at Bombay Talkies. Ashok Kumar, not only recognized Iftekhar but also gave him an important role in Bombay Talkies’ 1950 release Muqaddar, the central characters of which were played by Sajjan and Nalini Jaywant. Ashok Kumar later learnt painting from Iftekhar. In spite being many years older than Iftekhar, Ashok Kumar always considered him as his painting guru. Iftekhar’s caliber as a painter is proved by the background paintings he made especially for the title song of the movie Door Gagan Ki Chhaon Me (1964). 
 

In 1950s and 60s Iftekhar played all kinds of small to big roles in approximately seventy films including Sagai (1951), Saaqi (1952), Aabshaar (1953), Aagosh (1953), Biraj Bahu (1954), Mirza Ghalib (1954), Devdas (1955), Shri 420 (1955), Samandari Daku (1956), Ab Dilli Door Nahin (1957), Dilli Ka Thug (1958), Raagini (1958), Bedard Zamana Kya Jaane (1959), Kangan (1959), Naachghar (1959), Chhabili (1960), Kalpana (1960), Kanoon (1960), Professor (1962), Bandini (1963), Meri Soorat Teri Ankhein (1963), Door Gagan Ki Chhaon Me (1964), Sangam (1964), Shaheed (1965), Phool Aur Patthar (1966), Teesri Kasam (1966), Teesri Manzil (1966), Hamraz (1967), Sunghursh (1968), Aadmi Aur Insaan (1969) and Inteqaam (1969) but he failed to get much recognition. Struggle still remained never ending. And then released Ittefaaq (1969). 

Iftekhar played a cop in Ittefaaq (1969), which was made under the banner of B. R. Films in the year 1969. Salma ji says, “movie Ittefaaq (1969) completely changed our lives. Cops uniform so suited daddy that he instantly became very busy. Even he bought his own flat in Khar.  And the credit of all this goes to Ashok Kumar uncle. He was the one whose recommendation daddy was given an entry into B. R. Films and prior to Ittefaaq (1969), he had worked in the movies Kanoon (1960), Hamraaz (1967) and Aadmi Aur Insaan of the same banner, though I had already left Mumbai by then due to my marriage.” 
 

Salma ji got married in the year 1964 to Mr. Vipin Chandra Jain who was from a very rich family from Dehradoon. Vipin Chandra Jain had come to Mumbai to join Hindi films as an actor and this was his love marriage with Salma ji. Vipin Chandra’s grandfather, the renowned entrepreneur Rai Bahadur Ugrasen Jain had been the chairman of Dehradoon Municipal Corporation as well. After her marriage, Salma ji shifted to Dehradoon with her husband. She spent 15 years in Dehradoon where she taught English in a college. Meanwhile she became the mother of a son and a daughter but eventually had to come back to Mumbai after her divorce from her husband in the year 1979. For the next 20 years she looked after producer N. C. Sippi’s office as his secretary and the manager.  

For Iftekhar, the 1970s and 80s were the hectic decades of his career. During that period of success, he had acted in hundreds of films like Sharmeelee (1971), Mehboob Ki Mehndi (1971), Gambler (1971), Kal Aaj Aur Kal (1971), Hare Rama Hare Krishna (1971), Jawani Deewani (1972), Achanak (1973), Zanjeer (1973), Majboor (1974), Deewar (1975), Dharmatma (1975), Sholey (1975), Kabhie Kabhie (1976), Dulhan Wohi Jo Piya Mann Bhaaye (1977), Don (1978), Trishul (1978), Noorie (1979), Kaala Patthar (1979), Karz (1980), Dostana (1980), Rocky (1981), Saath Saath (1982), Rajpoot (1982), Sadma (1983), Inquilaab (1984), Jageer (1984), Tawaif (1985),  and Awaam (1987). As per an estimate he had acted in approximately 300 movies during his career spanning five decades. Bekhudi (1992) and Kaala Coat (1993) are among the last films he had acted in.  
 

Salma ji says, “even after all our family members shifted to Pakistan, we remained in touch with them. My elder chachaji (late) Mr. Imtiaz Ahmed was a famous actor on Pakistan T.V. who was honored with the National Award by Pakistan Government. The younger chacha Mushtaq Ahmed was a pilot with Pakistan International Airlines and is now settled in the US. Daddy’s only sister Shamim aunty lived in Karachi but she is no more now. Youngest Iqbal Ahmed chacha who was daddy’s stepbrother and his wife are doctors and they also reside in US. During one of my Pakistan journey, I also met Sayeeda in Rawalpindi, the same girl who was once engaged to daddy in Kanpur. I still remember the warmth with which she met me and it was really emotional to know that she had decided to remain unmarried forever. Yes, she never married.” 
 
Iftekhar’s younger daughter Saeeda’s husband M. I. Sheikh stays in Juhu, Mumbai. He was a manager with CEAT tires and has two kids with Saeeda.  One day Saeeda was detected with cancer. She bravely fought with the ailment for five years but lost the battle on 7 February 1995. It was really hard for Iftekhar to cope up with the daughter’s demise. Eventually, his diabetes suddenly shot up very high. He was admitted to the Suchak Hospital in Malad (East) but his condition kept on deteriorating and he passed away on 1 March 1995, exactly after 24 days of his daughter’s death. 
 
Our meeting with Salma ji took place in the evening of 15 April 2013 at her residence situated at Seven Bungalows area of Andheri (West).  Mr. Gajendra Verma, the renowned and very senior theatre person, was also present during the said meeting and was there in Mumbai for a few days for some personal work. Salma ji said that her daughter is married and settled in London. Salma ji’s son Vishal Jain resides in Mumbai but at that time he was in Dehradoon for some family-related work. Salma ji introduced us to her mother Smt. Hanna Joseph alias Rehana Ahmed. 90 years old Smt. Rehana Ahmed was very ill for some time. Recently Salma ji called us and informed that her mother passed away on 27 May 2013 which was indeed tragic news. 

Team Beete Hue Din pays a heartfelt homage to (Late) Smt. Rehana Ahmed, wife of (Late) Iftekhar on her sad demise. 

[part of Shishir Krishna Sharma's Beete Hue Din blog series]

सैयदाना इफ़्तेख़ार अहमद शरीफ़ !...एक बेमिसाल अभिनेता जिन्हें हम इफ़्तेख़ार के नाम से जानते हैं। इस नाम का ज़िक्र होते ही हमारे जहन में सिनेमा के परदे पर नज़र आने वाले एक पुलिस ऑफ़िसर की छवि उभरती है। लेकिन आम दर्शक शायद इस बात से वाक़िफ़ नहीं हैं कि वोही इफ़्तेख़ार न सिर्फ़ एक बेहतरीन गायक और चित्रकार थे, बल्कि अभिनय के शुरूआती दौर में कुछ फ़िल्मों में बतौर हीरो भी नज़र आए थे। हाल ही में हमारी मुलाक़ात इफ़्तेख़ार साहब की बेटी सलमा से हुई और उस मुलाक़ात के दौरान सलमा जी ने अपने पिता के बारे में हमारे साथ विस्तार से बातचीत की।  

मूलत: जालंधर के रहने वाले इफ़्तेख़ार के पिता कानपुर में एक कंपनी में ऊंचे ओहदे पर थे। चार भाई और एक बहन में सबसे बड़े इफ़्तेख़ार का जन्म 26 फ़रवरी 1922 को जालंधर में हुआ था लेकिन उनका बचपन कानपुर में गुज़रा। मैट्रिक के बाद उन्होंने लखनऊ कॉलेज ऑफ़ आर्ट्स से चित्रकला में डिप्लोमा लिया। गाने का उन्हें बेहद शौक़ था। वो सहगल के दीवाने थे और उन्हीं जैसा मशहूर गायक बनना चाहते थे। चूंकि उस ज़माने में तमाम बड़ी म्यूज़िक कंपनियां कोलकाता में थीं इसलिए क़रीब 20 साल की उम्र में इफ़्तेख़ार कोलकाता चले आए। 
 

उस दौर के मशहूर संगीतकार कमल दासगुप्ता एच.एम.वी. (कोलकाता) में नौकरी करते थे। कोलकाता के एम.पी.प्रोडक्शन की साल 1941 में बनी हिट फ़िल्म जवाब   का संगीत कमल दासगुप्ता ने ही तैयार किया था। उस फ़िल्म का, काननदेवी का गाया गीत तूफ़ानमेल...दुनिया ये दुनिया तूफ़ान मेल  आज भी उतना ही लोकप्रिय है। कमल दासगुप्ता ने एच.एम.वी.कंपनी में इफ़्तेख़ार का ऑडिशन लिया। एच.एम.वी. ने इफ़्तेख़ार के गाए दो गीतों का एक प्राईवेट अलबम जारी किया, जिसके बाद वो वापस कानपुर लौट गए। लेकिन कुछ ही दिनों बाद उन्हें एम.पी,प्रोडक्शन की तरफ़ से एक टेलिग्राम मिला जिसमें उनसे तुरंत कोलकाता आने को कहा गया था। दरअसल इफ़्तेख़ार के बेहद संभ्रांत व्यक्तित्व और साफ़ ज़ुबान से कमल दासगुप्ता इतने प्रभावित हुए, कि उन्होंने एम.पी.प्रोडक्शन से इफ़्तेख़ार को बतौर अभिनेता नौकरी देने की सिफ़ारिश कर डाली थी।

कानपुर में सईदा नाम की लड़की के साथ इफ़्तेख़ार का रिश्ता तय हो चुका था। एम.पी.प्रोडक्शन से बुलावा आया तो वो कोलकाता आकर कंपनी में नौकरी करने लगे थे। लेकिन एम.पी.प्रोडक्शन के बैनर में लंबे समय तक इफ़्तेख़ार की फ़िल्म शुरू ही नहीं हो पाई। उसी दौरान कोलकाता में अपनी ही बिल्डिंग में रहने वाली यहूदी लड़की हना जोसेफ़ से उन्हें इश्क़ हो गया और सईदा के साथ हुआ रिश्ता तोड़कर इफ़्तेख़ार ने हना से शादी कर ली। शादी के बाद हना जोसेफ को नया नाम मिला, रेहाना अहमद। 

इफ़्तेख़ार की पहली फ़िल्म आर्ट फ़िल्म्स-कोलकाता के बैनर में बनी तक़रार थी जो साल 1944 में रिलीज़ हुई थी। इस फ़िल्म की नायिका उस जमाने की स्टार अभिनेत्री जमुना थीं। साल 1945 में इफ़्तेख़ार की दो फ़िल्में घर और राजलक्ष्मी रिलीज़ हुईं। घर की नायिका जमुना और राजलक्ष्मी की नायिका कानन देवी थीं। एम.पी.प्रोडक्शन के बैनर में बनी फ़िल्म राजलक्ष्मी  से ही तलत महमूद ने भी बतौर गायक और अभिनेता अपना करियर शुरू किया था। साल 1947 में इफ़्तेख़ार  ऐसा क्यों और तुम और मैं फ़िल्मों में नज़र आए। उसी दौरान साल 1946 में उनकी बड़ी बेटी सलमा का जन्म हुआ और 1947 में उनकी पत्नी ने छोटी बेटी को जन्म दिया, जिसका नाम सईदा रखा गया।

बंटवारे के दौरान इफ़्तेख़ार के माता-पिता, भाई-बहन सहित सभी क़रीबी रिश्तेदार पाकिस्तान चले गए। इफ़्तेख़ार ने भारत में ही रहना बेहतर समझा, हालांकि दंगे-फ़साद की वजह से उन्हें कोलकाता छोड़ना पड़ा। साल 1948 में वो पत्नी और दोनों बेटियों को साथ लेकर मुंबई चले आए और खार स्थित एवरग्रीन होटल को उन्होंने अपना ठिकाना बना लिया। संघर्ष का दौर एक बार फिर से शुरू हुआ।  लेकिन काम मिलना आसान नहीं था। सलमा जी कहती हैं, “हम दोनों बहनें बहुत छोटी थीं और अक्सर हमारे खाने तक के लिए घर में कुछ नहीं होता था। घर की बुनियादी ज़रूरतों को पूरा करने के लिए मम्मी को किन्हीं मिस्टर पाटनवाला के ऑफ़िस में सेक्रेट्री की नौकरी करनी पड़ी। उधर छोटा-मोटा जैसा भी काम मिलता रहा डैडी करते रहे। लेकिन हमारे माली हालात में कोई बदलाव नहीं आया”।

कोलकाता में एक बार कानन देवी ने इफ़्तेख़ार का परिचय अशोक कुमार से कराया था। मुंबई आने पर इफ़्तेख़ार बॉम्बे टॉकीज़ में अशोक कुमार से मिले। अशोक कुमार ने न सिर्फ़ इफ़्तेख़ार को पहचाना बल्कि साल 1950 में बनी बॉम्बे टॉकीज़ की फ़िल्म मुक़द्दर में उन्हें एक अहम भूमिका भी दी। आगे चलकर अशोक कुमार ने इफ़्तेख़ार से पेंटिंग भी सीखी और उम्र में उनसे काफ़ी बड़ा होने के बावजूद वो इफ़्तेख़ार को हमेशा पेंटिंग का अपना गुरू मानते रहे। इफ़्तेख़ार कितने बेहतरीन चित्रकार थे, इसका पता उन पेंटिंग्स से चलता है जो उन्होंने ख़ासतौर से फ़िल्म दूर गगन की छांव में (1964) के शीर्षक गीत की बैकग्राऊंड के लिए बनाई थीं।

1950 और 60 के दशकों में इफ़्तेख़ार ने सगाई (1951), साक़ी (1952), आबशार (1953) , आगोश (1953), बिराज बहू (1954), मिर्ज़ा ग़ालिब (1954), देवदास (1955), श्री 420 (1955), समंदरी डाकू (1956), अब दिल्ली दूर नहीं (1957), दिल्ली का ठग (1958), रागिनी (1958), बेदर्द ज़माना क्या जाने (1959), कंगन (1959), नाचघर (1959), छबीली (1960), कल्पना (1960), कानून (1960), प्रोफेसर (1962), बंदिनी (1963), मेरी सूरत तेरी आंखें (1963), दूर गगन की छांव में (1964), संगम (1964), शहीद (1965), फूल और पत्थर (1966), तीसरी क़सम (1966), तीसरी मंज़िल (1966), हमराज़ (1967), संघर्ष (1968), आदमी और इंसान (1969) और इंतकाम (1969) जैसी क़रीब 70 फ़िल्मों में छोटी-बड़ी सभी तरह की भूमिकाएं कीं लेकिन उनकी कोई ख़ास पहचान नहीं बन पायी। संघर्ष बदस्तूर जारी रहा। और फिर आयी फ़िल्म इत्तेफ़ाक़ (1969)। 

साल 1969 में बनी बी.आर.फ़िल्म्स की फ़िल्म इत्तेफ़ाक़  (1969) में इफ़्तेख़ार पुलिस इंस्पेक्टर की अहम भूमिका में नज़र आए थे। सलमा जी कहती हैं “फ़िल्म  इत्तेफ़ाक़ (1969) ने हमारी ज़िंदगी ही बदल डाली। पुलिस की वर्दी डैडी पर इतनी जमी कि उसके बाद उन्हें काम की कमी नहीं रही। बहुत जल्द उन्होंने ख़ार में अपना फ़्लैट भी ख़रीद लिया। इसका श्रेय मैं अशोक कुमार अंकल को देना चाहूंगी जिनकी सिफ़ारिश पर डैडी को बी.आर.फ़िल्म्स में एंट्री मिली थी और इत्तेफ़ाक़ (1969) से पहले वो उस बैनर की कानून (1960), हमराज़ (1967) और आदमी और इंसान (1969) जैसी फ़िल्मों में भी काम कर चुके थे। हालांकि मैं तब तक शादी करके मुंबई छोड़ चुकी थी”। 
 

   

[part of Shishir Krishna Sharma's Beete Hue Din blog series]