Unborn Tomorrow and Dead Yesterday. Why fret about them if Today be sweet", sang Omar Khayyam. But what of the present? What is today? It is the product of all our yesterdays, the yesterdays we made, and of our tomorrows, the tomorrows we so fondly hope to fashion according to our wish, but which come just as they please–despite all "the best laid plans of mice and men".
..................................................................... Coming Up
About the Author
Other Articles by Cinemaazi
Britain and the Documentary Film - Marie Seton
Body and Soul of Music
Unforgettable Moments -Nalini Jaywant
Shahenshah (1988) - Preview
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Patang (1960) - Picture Preview
All My Christmases- Mala Sinha
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Lalita Lajmi on Guru Dutt: Unfinished Symphony
Guru Dutt: The "Typical Hero" Tag Doesn't Fit
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नई शैली निराला संगीत - R D Burman
आर्यसमाजी अध्यापक का बेटा, मैं... Dharmendra
What is a Good Documentary Film?
Salute to an Immortal Spirit
A Painful Parting
Children's Film Society
Let's Give the Kids a Chance
Directing the Child Actor
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Shakti Kapoor: It's Three Punches A Day
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Mangal Pandey
History of Cinema, History of the Nation
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Nav Ratri
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जे बी एच वाडिया (J B H Wadia) - वचन न जाए
Children's Films in India
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हिन्दी फिल्मों की दुर्दशा का जिम्मेदार कौन?
क्या हिंदी फिल्मों से हास्य गायब हो रहा है?
हास्य की परंपरा और हास्य अभिनेताओं की भूमिका
प्राण (Pran) और उनकी दाढ़ियाँ
Odds Against a New Comer
Speaking of Portraits and People
An Actor Prepares
Producers' War on Dubbed Films
Jottings from a Film Director's Notebook
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Rewind 1990 Commerce of Love Stories
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Towards A Brighter Future- Bengali Cinema
The Enigma Of A Flux - Malayalam Cinema
The seesaw graph of Hindi filmdom
Ankahee: The Unspoken
The Mahatma Returns: World Press Reaction
Children’s Films
Telugu Cinema in 1986- Sons and Fathers
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Prem Chopra: The Same Role For Ever
Kalyan Kumar - Karnataka’s Self-Made Star
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50 YEARS OF MALAYALAM CINEMA
Alakh Niranjan: Film India Review
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The Naushad Era In Hindi Film Music
A Man: Amitabh Bachchan -Amitabh, is My Name
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Women In Hindi Films : Dichotomy of Values
A Man: Amitabh Bachchan - Yesterday and Tomorrow
Cinema in the South: Crisis of Character
Film Societies Play Their Part
Nutan : A Flashback - The Actress
"Gwalan" Proves A Thrilling Entertainment !
Rajesh Khanna : Echoes Of An Era- Family Of Four
Holi: A Metaphor for Horizontal Violence
A Summon for Mohan Joshi
Nutan : A Flashback - The Friend
Raj Kapoor Scores Personal Triumph In “Aag”!
Smita Patil's Memoir- Trading Places
Shashi Kapoor: Once Upon A Time- The Film Makers
Rajesh Khanna : Echoes Of An Era- Peer Pressures
“Lal Haveli”- Crude But Entertaining!
Nutan : A Flashback - The Wife
Rajesh Khanna : Echoes Of An Era
"Lalkar" Presents Cheap Entertainment
Smita Patil's Memoir-Comrades In Arms
Shashi Kapoor: Once Upon A Time- Unjinxed
Ek Din Ka Sultan- Becomes Good Entertainer !
Smita Patil's Memoir- Friendly Strokes
Shashi Kapoor: Once Upon A Time- Tough Times
The Technician And His Problems
We Must Inject Dynamism Into Publicity
The Role Of Film Finance Corporation
Progress In Raw Film
Freedom In Films
Export Market For Indian Films
The Growth of The Motion Picture
Setup Of The Film Industry
Few Facts About Film Production
Personalisation In Cinema
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Asrani - Laugh And The World Laughs With You
My Memorable Roles- Hiralal
राजीव गोस्वामी - कहां थे अब तक 'पेंटर बाबू'?
जब नफरत से बेड़ा पार हो गया: बलराज साहनी
The Case of Emotional Turmoil In Dopatta (1952)
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Afsana Likh Rahi Hoon : Tun Tun
Some Hopes For The New Year: Lillian
Joru Ka Bhai: A Tale of 'Atithi Tum Kab Jaoge'
अभिनेता प्रेमअदीब से भेंट
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Film Life After Fifty : Motilal
प्रसिद्ध फिल्म लेखक गुलशन नंदा से आपकी बातचीत
"I live on hope"- Kumkum
Thehr Zara O Jane Wale : Madhubala Jhaveri
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Ghory: The Laurel Of Indian Cinema's Comedy Duo
Yeh Teri Saadgi, Yeh Tera Baankpan: Usha Khanna
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कृतिदेव यहां मैं, तनूजा, स्वीकार करती हूँ
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These Foreign Producers
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