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Considered one of the pillars of the Nayi Kahani movement in Hindi literature, Kamleshwar passed away on this day in 2007. Also involved with cinema, he wrote numerous scripts in 1970s, for acclaimed films like the dialogues for Sara Akash (1969), Barsaat Ki Ek Raat (1981), Souten (1983), the stories for Badnam Basti (1971), Aandhi (1975), Mausam (1975), Rang Birangi (1983), and scripts for films like The Burning Train (1979), Ram Balram (1980), Saajan Ki Saheli (1981), and many more. He received a Filmfare nomination for Mausam. He was awarded the Sahitya Akademi Award in 2003 and the Padma Bhushan in 2005. Cinemaazi salutes him for his contributions.
Image courtesy: Goodreads
Today we remember Zia Sarhadi, known for his films that dealt with social issues, on the occasion of his death anniversary. Born in 1914 in Peshawar, he started off in the film industry writing the screenplay, dialogue and songs for Mehboob Khan’s, Deccan Queen (1936). He went on to act in the film Manmohan (1936), for which he also wrote the lyrics, story, screenplay and dialogue. Sarhadi wrote films such as Kal Ki Baat (1937), Sajan (1940), Ghalib ((1942), Badi Maa (1945), Anokha Pyar (1948), and Khel (1950) as well as the dialogues for Baiju Bawra (1952). Directing Abhilasha (1938), Humlog (1951), Foot Path (1953) and Awaz (1956), it was Humlog which achieved enormous success, while the others nevertheless made their mark in parallel cinema. Moving to Pakistan, he directed just a single film there—Rahguzar (1960), due to the political conditions at the time. Impacted by martial law, Sarhadii was charged with sedition and a tendency towards Marxism, and kept in solitary confinement. Leaving the country to settle in the UK, he worked on assignments for BBC. Zia Sarhadi passed away on 27 January, 1997 in Karachi.
Image Courtesy: The High Asia Herald